Showing posts with label washington studio school. Show all posts
Showing posts with label washington studio school. Show all posts

Wednesday, February 24, 2010

Abstraction/Representation: A Georgia O'Keeffe Art Workshop

March 25, 6-8 p.m.


Georgia O'Keeffe, Jack-in-the-Pulpit No. IV, 1930.

Image courtesy of the Board of Trustees, National Gallery of Art, Washington

Instructors from Washington Studio School lead a gallery discussion of Georgia O'Keeffe: Abstraction, considering the artist's use of natural objects as a point of departure for her abstractions. Participants then explore their own artistic responses to O'Keeffe's work. All experience levels welcome. In collaboration with Washington Studio School.

General $35; members $25, Patrons and Circle Members free. Registration is required: www.phillipscollection.org/calendar.

All information regarding this event and for registration please contact:


The Phillips Collection
1600 21st Street, NW
Washington, DC 20009
202-387-2151
2129 S Street NW

________________________

Washington Studio School
2129 S Street, NW
Washington, DC 20008
202.234.3030
admin@washingtonstudioschool.org
www.washingtonstudioschool.org

Located a few blocks North of the Dupont Circle Metro Station.

Tuesday, February 23, 2010

Washington Studio School announces Certificate Student Graduation Exhibition featuring artist Sally Levie.


Please join us, Friday, March 12, 2010, 6-8pm.
This is a free event. RSVP NOT REQUIRED.


Sally Levie, now a graduate of the Certificate Program at Washington Studio School, holds a BA in Visual Arts and Art History from the University of California at San Diego and a Masters in Education Degree from California State at San Jose. She served as the Chairman of the Art Department at Blessed Sacrament School in Washington, DC for 22 of the 30 years she has spent teaching art to children. For the past three years at Washington Studio School, Sally has pursued a Certificate in Painting. Sally's work has been exhibited at the University of California at San Diego; 222 Gallery, Leesburg, Virginia; Bethesda Community Center; Corcoran School of Art; The Washington Art League and Washington Studio School.

Artist Statement: My work draws heavily on observation and a direct response to images in the natural world. My overall objective is to rearrange reality in my work to attract the eye and provoke the imagination of the viewer. I like to take known objects and reconstruct them - remake them - to interpret shapes and colors. It is my goal to focus on the junctures in the geometry of objects to punctuate my interpretations and memory of the subject using small, moving, glistening areas against larger masses of color. I paint using the relationships between colors, as well as the texture of the media, particularly the malleable thickness of oils and washes, to build up the surface and to define form. My work has been inspired by well known artists throughout history, especially the artists Diebenkorn, DeStahl, Redon, Klimt and Bonnard as well as the jewel like qualities in Celtic art.

About Us: Washington Studio School, conveniently located near Dupont Circle in Washington, D.C., is a community of artists and art students dedicated to the practice of visual art. Washington Studio School offers a range of non-degree classes as well as an advanced graduate level certificate program. Classes in drawing, painting, sculpture and printmaking emphasize working from life and are offered to adults and high school students. In addition to its regular schedule of classes, the school provides a variety of lectures and exhibitions of work by students and faculty.

About the Program: The Certificate Program provides students with a structured course of study designed to advance a student's ability and comprehension and equip graduates with an applicable mastery of the visual language. Intensive studio classes in drawing, painting, sculpture, and related subjects are supported by seminars in history, theory, and critique. Our Certificate Program is directed to those whose primary goal is the making of art. Each Certificate Student who graduates from the program has his/her own solo exhibition in the school gallery.



Washington Studio School
2129 S Street NW
Washington, DC 20008
202.234.3030
admin@washingtonstudioschool.org
www.washingtonstudioschool.org
Located a few blocks North of the Dupont Circle Metro Station

Monday, August 3, 2009

Fall 2009 Class Schedule is Out. Register Now as space is Limited.

For more information on the schedule or courses visit us online www.washingtonstudioschool.org.

Wednesday, July 1, 2009

Crafty Bastards 2009 Art Fair Deadline is July 5

We are currently accepting applications for Crafty Bastards 2009. The show will be held Saturday, October 3rd at Marie Reed Learning Center in the Adams Morgan neighborhood of Washington, DC.

Applications will be accepted through July 5, 2009. There is a $10 non-refundable application fee. The jury will review the entries and we will notify everyone of their status via email by July 20. The booth fee for accepted vendors is $120. Here's how to register for the October 3rd Crafty Bastards show:

  1. Getting Started: Make sure you have time to complete the full application - you shouldn't need more than 15 minutes to fill out the full application, providing you read all of these instructions and have the necessary materials at hand. If you are sharing a booth, make sure you read the instructions carefully. Boothsharing is allowed, but we require that one person start the registration process and submit payment for the entire booth. Each booth member will be able to submit their own contact info, vendor statement and images once the first booth member has paid.
  2. Contact Information: Enter your contact information into this part - including a short description of your work. This doesn't have to be long, and we will limit to 300 characters. If you have boothsharers, simply submit your information as if you were applying alone. You'll have a chance to invite your booth mates to enter their info after you submit the application fee.
  3. Upload your images: We want to see your work! You must upload three images, no more and no less, each of which should be no bigger than 1MB in size. If you are sharing a booth, each booth member needs to upload 3 images.
  4. Terms and Conditions: Read them, all of them, and don't say we didn't warn you afterwards.
  5. Payment: The application fee is $10. It is non-refundable. You can use your paypal account or a credit card. Your application will not be accepted without payment. IMPORTANT NOTE: Once you have submitted your application fee, make sure to click back from Paypal so we know you've paid. Boothsharers: you must click back to Crafty Bastards site in order to invite your boothmates to fill out their portion of the application.
  6. Confirmation: You clicked back from paypal and are all finished with your part of the registration (unless you have boothmates, then continue on to steps 7 & 8). You'll get an email confirming your submission. If you don't receive the confirmation message (make sure to check your junk folder), email craftybastards@washingtoncitypaper.com and let us know.
  7. Boothsharing: Invite your boothmates. All you need is their email address(es).
  8. Finished! That's it. Make sure you add craftybastards@washingtoncitypaper.com to your address book so you don't miss any important announcements or updates.

Read the instructions? For answers to your further questions, check out our Frequently Asked Questions.



http://www.washingtoncitypaper.com/craftybastards/register/

Tips for getting into Art Fairs

Summer craft shows are in full swing, and mentions of fall and holiday shows are starting to pop up. The dreaded cycle — filling out vendor applications and then waiting and anticipating to see if you've made it — never seems to end.

As one of the Directors of the Crafty Bastards Arts and Crafts Fair in Washington, D.C., and the Handmade Mart in Silver Spring, MD, my fellow organizers and I are often asked the frequent question: “Why didn’t I get accepted into the fair?”

This question is hard to answer, as it’s different for everyone. For seasoned crafters who have sold successfully on Etsy and have been on the craft fair circuit for years, the answer usually comes down to submitting the same photos year after year with their application. As an organizer who is looking for an innovative and awesome experience for crafters and shoppers, it’s hard to accept our past vendors who haven’t evolved their crafts.

For example, a vendor who submits the same three T-shirt designs with their application every year is telling me that they really don’t have any new products in their line. This is important, especially when you see more and more crafters joining the handmade community. If a crafter isn’t making new products or designs, there are 100 more who are.

For crafters who are newer to the craft fair scene, not getting accepted usually results from submitting photos that don’t often show off the variety or volume of crafts they produce or don’t show their best products. If crafts in the photos don’t look well made or have a unique style, they lose points. Newer vendors sometimes give us too much personal information and not enough specifics about their product line in their vendor statements.

Vendor statements are important because they explain the photos of your craft. A photo may say 1,000 words, but a vendor statement is there to back it up with a literal explanation. For example, let’s say I sell jewelry and in my vendor statement I say:

“I make whimsical jewelry that will tickle your fancy with vibrant colors and semi-precious stones.”

What is this person trying to say? This is a textbook answer without much thought. The questions I want to know are: What does the making process entail? What makes the jewelry more awesome than the other 100 jewelry designers who applied to the fair? What type of jewelry do you make, i.e. rings, bracelets, necklaces, earrings, etc? What inspires you? What is your style?

A good vendor statement with the right photos will be a perfect package, neatly wrapped, and need no further explanation.

Here are other tips for applying to craft fairs:

1. Photos

  • Make sure the file size of your photo isn’t too big and that the photos are crisp and clear.
  • Be sure to send in photos that show off individual items, but have one or two that also show off the variety of your products.
  • Show only your products and nothing else that might be distracting or confused with what you make. For example, if you design scarves and you submit a photo with someone wearing a scarf and a large necklace covering the scarf, it’s very misleading.
  • Let your product shine in the front and center. If you are submitting a photo of your product laying on a crazy, headache-inducing patterned background, or a background that is the same color as your product, you are not doing your crafts justice.


2. Websites
Many fairs ask you for your website along with, or instead of, photos. If your main site is a blog with a small link to your Etsy shop, I’d rather you send me to your Etsy shop directly. This is not necessarily a general rule, but if it’s hard to see your products on your website or hard to find a link to your shop, that’s not good.

3. Vendor Statement

Don’t submit a life story. Stick to your product line and anything surrounding your career as a crafter. Writing my own vendor statement for applications usually takes at least a day. Email your friends your statement and see what they say. They will know if your creativity and who you are as a crafter comes through in your statement.

4. Know your market

Before you apply to a craft fair, check out the vendors from the previous year. What are they selling? What do their websites and Etsy shops look like? You will need to see if this is indeed your market.

You can usually find reviews about shows by searching the web or in the Etsy Forums. Find out if this is the show for you from what their vendors had to say.

5. Burning Bridges
Every year, at every craft show, there is a vendor who didn’t get accepted and decides to yell at the organizers. This usually starts with an email or phone call that begins with “How dare you” or “My stuff is much better than so and so’s” or “I am a very important person in the crafting world...” Every craft show organizer has heard it before, and it’s heart wrenching and not nice. Please be nice. Many shows have at least one vendor who has to drop out at the last minute for various reasons, so you never know if you might be next in line to take their place.

6. Don’t take it personally
If you are not accepted as a vendor, don’t take it personally. This has nothing to do with you as a person. With tens of thousands of crafters on Etsy alone, the competition to sell at fairs, which can only take between 50-300 vendors per show, is tremendous. For all the fun, excitement, and friendship-making that takes place at craft fairs, you must remember that the point of these fairs is all business: Craft fair organizers are creating a marketplace for monetary transactions to take place. You are seeking to conduct said monetary transactions. It’s all business in the front and party in the back.

7. Get feedback
Some vendors who have not been accepted will email us to ask what they could have done better in their applications to get accepted. I’m usually more than happy to take a look at their applications and see if I can give any useful feedback. Sometimes there’s nothing I can say, because it’s just a matter of space at the fair…but it never hurts to ask.

Get feedback about your products from your friends and most importantly, your fellow crafters. Don’t be afraid to get advice and reviews that might not be 100% positive. Being open to hearing what others had to say about your product will help you develop stronger products and marketing lines, and will improve your chances of getting into the more competitive craft fairs.

Check out more tips on applying to shows from crafter extraordinaire and Hello Craft's Communication Director Tina Seamonster here. Questions? Have advice for others? Tell us in the comments and feel free to email Hello Craft at hellocraftinfo@gmail.com. kittenrockswell will also be hosting a follow-up chat today, Thursday, June 25 at 5 p.m. ET in the Virtual Labs, Etsy's multi-user chat room.

And don't forget, applications to this year's Crafty Bastards are open until July 5, 2009! Happy crafting and good luck with all your 2009 applications!

Thursday, June 25, 2009

Phillips Collection Event

An interesting event at the Phillips Collection that I came across if you are around this evening.

John Currin
June 25, 2009, 6:30 pm, Tour/Lecture

Painter John Currin discusses his latest work, in which he explores themes from eroticism and procreation to mail-order porcelain. Currin has distinguished himself for his controversial portrayal of female subjects, from menopausal women to exuberant, well-endowed girls. Currin's work is included in Paint Made Flesh.

Included in admission to Paint Made Flesh; free for members

In conjunction with the exhibition Paint Made Flesh, organized by the Frist Center for the Visual Arts, Nashville, Tenn. The exhibition is supported by an indemnity from the Federal Council on the Arts and Humanities.

www.phillipscollection.org